For the next logical step to the states of consciousness related to the text please click on the numbers.

The Universal Basis of all Music

Music theory so far did not recognize 1-3
this central position of the harmony-technique;
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
4, 11, 18
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

therefore, it shifted into homophony and came under the paralyzing influence of sterile sounds – not to mention that musicology did not apprehend the harmony itself, 1-3

that universal basis
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

of music
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31

which is beyond
4, 11, 18

sound,
4. 4, 5, 11. 20, 21, 18. 32, 33

beyond
4, 11, 18

space and time, 1-3

beyond
4, 11, 18

the world of tones,
4. 4, 5, 11. 20, 21, 18. 32, 33

and yet completely determines the nature of the tone and the
entire musical work from within.
4, 11, 18
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33
11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35