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Perfection of the Formative Forces
in Music

The Path towards more Powerful Formative Forces in Music

With his understanding,
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30

the listener cognizes the “horizontal” systems of order of music.
And with his feeling

5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

he grasps the “vertical” musical relations of power.

Therefore, the qualities of feeling and understanding

5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25, 16. 26, 27, 17. 28, 29, 30

are effective on all levels of music: in the world of the sound-space,
4. 4, 5, 11. 20, 21, 18. 32, 33

in the world of the motif,
5. 6, 7, 10. 18, 19, 17. 30, 31

in the world of the sequence,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

and in the world of the harmony.
6. 10, 11, 9. 14, 15, 16. 26, 27

When these two fundamental qualities of the intellect are realized
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

as efficient and mighty formative forces in music, they finally appear in their perfection on the level of harmony.
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25,
16.
26, 27, 17. 28, 29, 30