SUN UNIVERSITY
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
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PART   II
  17  
 
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION
     
         
 
The Technique of Musical Comparison


   
 
Com­pari­son is an­other means to gain knowl­edge of mu­si­cal truth. Thus, the mu­si­cal logic stimu­lates our in­ner tools of cog­ni­tion to com­pare.

   
 
Music-Analysis and Music-Synthesis


   
 
The tech­nique of com­pari­son is based on the dual func­tion of our in­tel­lect which we pre­vi­ously de­scribed as be­ing on the one hand:
  1. our in­tel­lect in its func­tion of un­der­stand­ing, where our un­der­stand­ing, with its ana­lyti­cal means, ex­am­ines the mu­sic for more and more com­pre­hen­sive truth; and on the other hand
  2. our in­tel­lect in its func­tion of feel­ing, where our feel­ing ex­pands crea­tively to­wards the mul­ti­plic­ity of our un­der­stand­ing and, in this proc­ess, car­ries the natu­ral di­ver­sity of our in­ner, mu­si­cal, crea­tive proc­ess into our un­der­stand­ing.

 
The Dual Function of the Intellect in the Musical Cognition of Truth
 
 
At the same time, these two proc­esses of mu­si­cal cog­ni­tion, outer cog­ni­tion of the mu­sic lis­tener and in­ner cog­ni­tion of the com­poser, are sub­mit­ted to a com­pari­son by our self-aware­ness.

 
Music-Creating and Music-Listening in Comparison
 
 
Thus, our in­tel­lect, our feel­ing and un­der­stand­ing, are in­te­grated to­wards the level of pure self-aware­ness and are thereby raised mu­si­cally into the field of the har­mony; for only in this ab­so­lu­te mu­si­cal force-field of the har­mony our tools of cog­ni­tion can make a per­fect com­pari­son be­tween the unity and the di­ver­sity of mu­sic.

   
 
This com­pari­son be­tween the mu­si­cal in­sights of our feel­ing and of our un­der­stand­ing puts our in­tel­lect, and therewith our mu­si­cal proc­ess of know­ing, into the state of a self-suf­fi­cient ei­gen­func­tion.
And in terms of this two­fold mu­si­cal cog­ni­tion of truth, our in­tel­lect swings within it­self.

 
The Eigenfunction of Gaining Knowledge in Music
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

II.
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION

Empirical Gaining
Knowledge in Music

The Unlimited Course
of Life in Music

The Levels of Gaining
Knowledge in Music

The Process of
Musical Perception

The System of Musical Deduction

The Technique of
Musical Comparison

The Steps of Musical
Cognition

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Empirical Process
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and Inner Musical
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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition