UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
SUN UNIVERSITY
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
  PART   VII   49  
  THE PROCESS OF CREATING MUSIC      
         
 
The Integrated Play of
Time and Space


   
 
The basis of true mu­si­cal per­form­ance is the skil­ful pres­en­ta­tion of the in­te­grated play of these two great pow­ers of na­ture. Time and space are the foun­da­tion, the strong pil­lars which, curving to­wards each other like an arch, shel­ter the lis­tener while let­ting the mu­sic re­sound be­tween him and them­selves.

 
The Basis of True Musical Performance
 
 
Space and time, the two in­visi­ble, in­au­dible sov­er­eigns of the realm of tones are the great friends and pa­trons of the clas­si­cal mu­si­cian.

 
The Great Patrons of the Classical Musician
 
 
If the mu­si­cian suc­ceeds in con­sciously unit­ing his in­ner ar­tis­tic na­ture with the great sov­er­eigns space and time, he has gained for him­self and for the lis­tener in­fin­ity in the gar­ment of beauty, and this in­valu­able gift marks the be­gin­ning of his ac­tual career in mu­sic.

 
The True Beginning of the Musical Career
 
 
With the help of the two mighty arms space and time, the pow­er­ful mu­si­cian pre­sents to us the sacrificial bowl of life in the form of mu­si­cal beauty. This in­spires us to sac­ri­fice our lim­ited ideas to the di­vine spark of in­ner cog­ni­tion, and we gain the ex­peri­ence of free­dom.

 
The Powerful and the Powerless Musician
 
 
If, how­ever, the un­edu­cated mu­si­cian, due to his lim­ited con­scious­ness, be­comes in­volved in rhyth­mic pe­rio­dic­ity, he makes time and space his ene­mies leav­ing him­self and us lis­ten­ers to the ex­peri­ence of mor­tal­ity.

   
 
If the ex­peri­ence of time seems to appear in con­ven­tional mu­sic, it is rather our pain­ful ex­peri­ence of time as sepa­rated from space, pro­duced by the rhyth­mi­cal and tonal (spec­tral) monotony, and annoys us lis­ten­ers in our pur­suit of ful­fil­ment: then the piece of mu­sic, or rather the piece of noise, drags along like an inert life­less mass giv­ing us the feel­ing of mor­tal­ity, the im­pres­sion of boundedness, and it sets our mind on chas­ing the fleeting pleas­ures of life in the lit­tle time that is left to us, try­ing not to miss any­thing.

 
Spectral Monotony
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

 

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